TAGV | “O vento está a mudar, meu amigo. Jacob, 你可知這不曾出口的名的命運(yùn)在去往無(wú)果重逢的途中偶遇那自溺的身影(是的自溺邊將家的小媳婦是柏林留給你難以咂透的混濁印象邊將家的小媳婦是你閤眼時(shí)變幻的光所有人在其中無(wú)法自保)拋下那本終于被焚毀的隨筆(車(chē)站咖啡館房間卡巴萊的愛(ài)與思考與沖動(dòng)與夢(mèng)魘)天真地去往來(lái)自威丁堡的舊時(shí)懷抱——仿佛一切可以重來(lái)Jacob, 攔下你的是什么是友人絕望而諷刺的遺言嗎是這成群穿過(guò)夢(mèng)境和現(xiàn)實(shí)的晦暝往事的暗合嗎還是這災(zāi)難時(shí)代對(duì)你的恰時(shí)憐憫死在家鄉(xiāng)的河水中在無(wú)人理會(huì)的幽靜處在“只是偶然的生命的起點(diǎn)也在“注定的死亡的終點(diǎn)
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“- And did you get what you wanted from this life, even so? - I did. - And what did you want? - To call myself beloved, to feel myself beloved on the earth. Renée Zellweger truly illuminated this lengthy, fragmented, classism-wannabe biopic and she is still my BJ.