神游那段很好, wandering from psychedelic to Coca Cola capitalism in Baudrillard’s desert of the real; the liveness of labor simultaneity in (post)socialist bureaucratic 開會(huì) temporality;那個(gè)長(zhǎng)長(zhǎng)的走廊和不斷打開的門印象很深;開頭結(jié)尾那個(gè)噩夢(mèng)驚醒的camera pan其實(shí)很有趣邊將家的小媳婦這樣打破傳統(tǒng)敘事空間和pov的cinematography算不算ultrastable system對(duì)medium opacity的一種思考呢