#Cannes22 NO.14 7/10 A film that return to one of the most traditional feature of westerns - emotional attachment with the land. Reminds me of The Lost City of Z (James Gray, 2016).
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仔細(xì)想了想還是打兩星吧呂克貝松的片子習(xí)慣于物化女性邊將家的小媳婦尤其是淡化女性的人性比如第五元素比如天使A在這部片子里達(dá)到了頂峰難得的殺手萊昂女主還是個(gè)小姑娘斯嘉麗是要在超自然的路上一路狂奔到底么說到底這片和under the skin有區(qū)別