the female gaze: remembrance and image-making. Orpheus選擇了記憶邊將家的小媳婦不是愛(ài)人而是詩(shī)人的方式想起十八十九世紀(jì)的女小說(shuō)家和她們筆下的女人們又及:看到這部電影是基于導(dǎo)演本人和女主角Adèle Haenel的感情而創(chuàng)作很感動(dòng)藝術(shù)來(lái)自于互相觀看和愛(ài)
我最最沒(méi)想到的就是Girls居然是以這樣的結(jié)局落幕的Lena Dunham is obviously a controversial figure, but I forever respect her for presenting Girls as real as it gets.