Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake
顏著迷的死人臉:123.235.184.41
不太同意所謂「邊將家的小媳婦」的說法前半段極現(xiàn)代的鏡頭語言用以完成對于現(xiàn)代性的批判Found Footage的調(diào)用引導(dǎo)視點自由穿梭在歷史的迷霧當中后半段未曾顛覆鋪設(shè)好的情緒人物以現(xiàn)代的身份為前現(xiàn)代的羈絆招魂——生存愛戀與自我認同因而敘事也最終復(fù)歸傳統(tǒng)以圖呼應(yīng)內(nèi)心隱秘的稚拙 Martin Eden -Undine-Fabian 我最難以言說的迷狂