Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake
第一次看的時(shí)候還太小什么都理解不了今日重看才領(lǐng)會(huì)其天才之處就算先不說(shuō)那非常人所能想出的敘事結(jié)構(gòu)諾蘭質(zhì)問(wèn)了personal identity這個(gè)哲學(xué)問(wèn)題挑戰(zhàn)了john Lock的理論結(jié)尾的“we all need mirrors to remind ourselves who we are和do i lie to myself to be happy太令人深思天才