片如其名真正拍出了寧靜 “Convey me to some peaceful shore, Where no tumultuous billows roar, Where life, though joyless, still is calm, And sweet content is sorrow's balm. There free from pomp and care, to wait, Forgetting and forgot, the will of fate.
影像與聲音俱佳高度寫實(shí)性下有著謹(jǐn)慎的表現(xiàn)性拿捏如方向性問題:在聆聽Handel那首〈Convey Me To Some Peaceful Shore〉並流下滌洗心靈的淚水之前女主搭乘交通工具都是由右至左(不只前進(jìn)曾與前任同遊之地亦是糾纏過往)之後變向(進(jìn)入平靜往未來)直至收尾桌前寫字(是寫給前任的信或開始寫劇本)眾多電影人現(xiàn)身(甚至沒換名渡邊真起子提及的諏訪敦彥主持映後的王慶鏘等等監(jiān)製之一市山尚三有換名)投影自傳底色但總體來說只令人覺得未免太奢侈?拍一部劇情片來講自己度過情傷尋找平靜是怎樣(而且這還是2014年創(chuàng)投案)內(nèi)容面實(shí)在太單薄了映後座談那段是在自黑嗎= = 齊溪飾演的女導(dǎo)演有回答跟沒回答一樣嘛