ballroom culture在上世紀(jì)八九十年代成為以lgbt+群體為代表的亞文化進(jìn)入主流視線drag queenvoguing等系列“文化產(chǎn)物對fashion industryclassesrace relations產(chǎn)生巨大影響顛覆傳統(tǒng)性別二元認(rèn)知地下舞池的邊緣文化掀起了前所未有的文化革命當(dāng)然尚處于小眾發(fā)展時(shí)期的群體不可避免地經(jīng)歷“結(jié)構(gòu)性自相沖突過程--即“being femaleor“owning feminine characteristics的區(qū)別如labeija所言“having virgina doesn't means good life, it might be even worse(后期關(guān)于導(dǎo)演褒貶不一的評述以及影片視角的爭議似乎更為奇觀化)