強(qiáng)烈的社會(huì)意識(shí)形態(tài)和特定的地緣性決定了這不是一部能引起國(guó)人共鳴的電影趙婷成功的原因在于真正融入了美國(guó)語(yǔ)境而換句話說這部電影只屬于美國(guó)共情的須臾僅在莎翁和那句:I'm not homeless, I’m just houseless.
Victim of capitalism and intrepid pioneer of a second life. Non-actors convincing. Celebration of wide open spaces, hard labor, a way of life born out of necessity but full of optimism.